The photograph captures a surreal and nostalgic scene. The setting is an abandoned movie theater, seemingly frozen in time from October. Dust motes dance in shafts of golden light filtering through cracks in the boarded-up windows, illuminating rows upon rows of decaying velvet seats. Projected onto the screen, however, is a vibrant, glitching video – an abstract swirl of colors and shapes that feels both futuristic and ancient. The projected image subtly incorporates stylized text fragments from the given words: 'este,' 'para,' 'del,' 'nos,' and 'esperen' are fleetingly visible within the visual noise. In the foreground, three figures stand silhouetted against the light – ‘rayoytoby,’ ‘dimequesi,’ and ‘alexiolabestia.’ They appear to be filmmakers, mid-conversation during a 'rodaje' (filming). One is gesturing towards the screen with a slight smile; another looks contemplative. The third is holding what seems to be a vintage film projector, hinting at an elaborate, personal 'estreño’ (premiere) or ‘saludo’ (greeting) planned for this special October event. A single, ornate letter – 'A' – sits on one of the seats, suggesting a personalized touch. The lighting is dramatic: warm, golden light from the windows contrasts with the deep shadows within the theater. There's an underlying sense of melancholy and anticipation; a feeling that something important is about to happen. A faint, almost imperceptible digital signal – represented as shimmering particles– drifts from the video projection, connecting it to other unseen elements. The overall mood is one of quiet reverence for forgotten art forms combined with a playful exploration of technology.