The photograph depicts a weathered wooden caiquenogueira (a traditional fishing boat) nestled within a tranquil cove at sunrise. The sky is awash in soft hues of peach and rose gold, reflecting on the glassy surface of the water. The boat itself is heavily laden with nets and buoys, hinting at a life spent at sea. Scattered across the deck are several objects: a single, worn leather boot (a remnant from 'pra' - for/towards), a half-finished cup of coffee steaming gently ('bom' – good), and a collection of smooth, grey stones arranged in a spiral pattern, representing cyclical reflection ('reflexividade'). A young woman sits on the edge of the boat, her back partially turned to the viewer. She is dressed simply in linen clothing, and her hair is pulled back in a loose braid. Her posture conveys a quiet contemplation. A single sunflower lies beside her, symbolizing hope and 'amor' (love). She holds a small, intricately carved wooden bird in her hand - a token of gratitude ('obrigada'). The words 'uma' (one), 'por' (for/by), 'muito' (much), 'mais' (more), 'minha' (my), 'essa' (this), 'amo' (I love) and fragments like 'uddudc', 'nueo', 'uufef', 'meu', 'udduded', 'udcudf' - appear as faint, almost ghostly etchings on the wooden hull of the boat, suggesting cherished memories and unspoken emotions. They are partially obscured by sea spray and time. The lighting is soft and diffused, creating a dreamlike atmosphere. The overall mood is one of serenity, melancholy, and quiet resilience. The composition uses leading lines created by the water and the curve of the cove to draw the viewer’s eye toward the woman and the sunrise.