The photograph captures a sun-drenched afternoon in a vintage photography studio. Mariana, a young woman with cascading dark hair styled into a dramatically voluminous updo – almost sculpted like plaster – sits on an antique velvet chaise lounge. The style is reminiscent of early 20th century glamour portraits but infused with a modern, slightly surreal edge. Several other young women are present in the background, blurred and partially obscured by strategically placed props—a stack of vintage magazines featuring hair advertisements ('como usar', 'sem volume'), several rolled-up photographic prints showing different hairstyles ('cabelo', 'fotos'). The lighting is soft but directional, coming from a large north-facing window, creating pools of light and shadow that emphasize the volume in Mariana's hair and the textures of the velvet. Dust motes dance in the sunbeams. She’s wearing a simple, elegant dress, hinting at the 'pra' (for) simplicity contrasted with the elaborate hairstyle. A small handwritten note ('recadinho') is pinned to her dress—a playful nod to the collaborative nature of creative work. The studio walls are adorned with framed examples of photographic 'trabalhos' (works), some completed in a ‘método’ (method) of volumizing hair, fulfilling a client’s 'pede' (request) for a particularly 'volumoso' (voluminous) look. A faint expression of quiet amusement plays on Mariana’s lips—she seems to be posing, but also observing the process with a knowing eye. A few strands of her hair seem to defy gravity, floating slightly. The overall mood is dreamy and nostalgic, suggesting both confidence and vulnerability. It captures 'alguns' (some) fleeting moment in time.