The photograph depicts a crumbling, pastel-colored favela clinging to a steep hillside in Rio de Janeiro at dusk. The light is soft and golden, filtering through the humid air and casting long shadows across the corrugated iron roofs and vibrant murals depicting scenes of samba and daily life. Rain has recently fallen, leaving puddles reflecting the fading sky - hues of orange, pink, and violet are visible in these watery mirrors. The focus is on a young woman (early 20s), with dark, expressive eyes and long, braided hair adorned with brightly colored ribbons. She’s sitting on the edge of a rooftop overlooking the sprawling city below, holding a worn, antique photograph album in her lap. Her expression is melancholic, but not entirely sad – there's a quiet strength present. The album pages are slightly wet from the rain and partially visible, revealing faded black-and-white images of smiling faces – presumably family members. A single, vibrant graffiti tag is visible on the wall behind her: 'Hugomourag'. A small, wilted sunflower lies beside her on the rooftop, its petals drooping. The air feels thick with a sense of nostalgia and longing - 'saudade' hangs heavy in the atmosphere. Scattered around her are empty cups of strong coffee and several crumpled pieces of paper with handwritten notes, some crossed out – suggesting she’s been writing or sketching. A single, dried rose petal rests on one of these scraps. The overall mood is bittersweet—a feeling of remembering a lost time, coupled with an appreciation for the beauty of her surroundings despite their fragility. The 'doendo' (pain) isn't overwhelming, but it’s present as a quiet ache in her heart. A subtle watermark, resembling a blurred 'repostappeu' stamp, is visible on one corner of the photograph itself – hinting at shared memories and digital echoes.