The photograph captures a hauntingly beautiful moment within a sprawling, dimly lit studio space in Paris during Paris Fashion Week. The set is clearly for Kenzo, but feels less like a runway and more like an abandoned theatre prop staging area. Scattered remnants of the recent show lie about – discarded fabric swatches (fufcr), crumpled sketches, and stray hairpins catch the light. The dominant colour palette is muted greys and blacks punctuated by flashes of vibrant Kenzo orange. A single spotlight illuminates a striking figure in the center: a young woman dressed in an oversized, deconstructed Kenzo puffer jacket – the design hints at German heritage with subtle nods to 'Die, Der, Von' through embroidered runes or symbolic patterns integrated into the fabric (rendered abstractly). Her expression is melancholic, almost vacant. She holds a single, wilting sunflower in her hand. The background fades into shadow, hinting at other figures and activity beyond, but keeping the focus firmly on this solitary figure. A discarded link to Kenzo's bio lies crumpled near her feet; 'Jetzt’ (Now) is scrawled faintly across a nearby wall in what appears to be hurried chalk writing. There is an almost palpable sense of fleeting time, of beauty and decay intertwined - 'Wie' she arrived here, 'Sich' lost in thought, 'Bei' the aftermath of a moment. The lighting is dramatic: harsh spotlight from above contrasted with deep shadows emphasizing texture and emotion. The composition uses rule-of-thirds to draw the viewer’s eye directly to the woman, amplifying her isolation and vulnerability.