The photograph captures a surreal and dreamlike celebration. The setting is an expansive, minimalist beach at twilight, somewhere along the Adriatic coast—perhaps near Novi Sad. A single, perfectly formed alaia (a traditional Hawaiian surfboard) rests on the wet sand, glowing with a faint internal luminescence. Above it hovers a spectral figure, faintly resembling Azzedine Alaïa, radiating an aura of timeless elegance and artistic genius. This apparition is not entirely solid, more like shifting light and shadow, woven with fragments of memories. A lavish birthday party unfolds further down the beach, subtly visible through a shimmering heat haze. The guests are a mix of recognizable figures – a fleeting glimpse of Novak Djokovic (DjokovicNole) on the red carpet, his face partially obscured by flashing cameras; a regal figure who evokes Prince, shrouded in purple velvet; and others who seem to be echoes of Serbian royalty. The atmosphere is joyous yet melancholic - 'happy' mingled with a sense of poignant ephemerality. The light is primarily twilight blue and gold, reflecting off the water and casting long shadows. Scattered around are fragments—a vintage magazine titled “Magazina” lies open, displaying a faded image; a single 'broju' (issue number) is visible on its page; 'novom' (new) written in elegant script appears etched into the sand. There’s an almost digital glitch to parts of the scene – fleeting visual artifacts reminiscent of a 'repost,' and brief, distorted text overlays like ‘Uufef,’ ‘Hellomagazinsrbija,’ and ‘Udcudf’. These feel less like intrusions and more like whispers of memory and digital residue. A single red rose lies on the sand nearby. The overall feeling is one of nostalgia, artistic reverence, and a fleeting glimpse into a realm where fashion, music, sport, and royalty converge in an improbable, beautiful dream. Rakoevi's influence is felt in the composition’s dynamic angles, while the color palette subtly references Novom Zvezda's iconic aesthetic.